290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
This image is in the public domain and can be downloaded from the SEPARATE PUBLIC DOMAIN DATABASE. When using it, please include the following credit statement: Courtesy of the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, Pa., on indefinite loan from the Smithsonian Institution.
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
A collection of 83 watercolors, 15 of zoological subjects, most likely from Tamil Nadu, India, probably executed under European supervision, as the anglicized spelling of the vernacular (Tamil) name suggests; see K. M. Matthew and J. J. White, ''An album of 19th-century watercolors from India in the Hunt Institute.'' Huntia 9(2): 139-149. 1996.
This image is in the public domain and can be downloaded from the SEPARATE PUBLIC DOMAIN DATABASE. When using it, please include the following credit statement: Courtesy of the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, Pa., on indefinite loan from the Smithsonian Institution.
A collection of 83 watercolors, 15 of zoological subjects, most likely from Tamil Nadu, India, probably executed under European supervision, as the anglicized spelling of the vernacular (Tamil) name suggests; see K. M. Matthew and J. J. White, ''An album of 19th-century watercolors from India in the Hunt Institute.'' Huntia 9(2): 139-149. 1996.
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).