A collection of 83 watercolors, 15 of zoological subjects, most likely from Tamil Nadu, India, probably executed under European supervision, as the anglicized spelling of the vernacular (Tamil) name suggests; see K. M. Matthew and J. J. White, ''An album of 19th-century watercolors from India in the Hunt Institute.'' Huntia 9(2): 139-149. 1996.
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
A collection of 83 watercolors, 15 of zoological subjects, most likely from Tamil Nadu, India, probably executed under European supervision, as the anglicized spelling of the vernacular (Tamil) name suggests; see K. M. Matthew and J. J. White, ''An album of 19th-century watercolors from India in the Hunt Institute.'' Huntia 9(2): 139-149. 1996.
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
290 watercolors bound in album. Another album with near-duplicate watercolors, held by Dumbarton Oaks, Washington, DC, is attributed to Magdalena Funck and dated 1692 (the Hunt Institute's copy is dated 1762). That album was painted for the Nürnberg University of Altdorf near Erlangen, disbanded in 1809. See Heidrun Ludwig, Nürnberger naturgeschichtliche Maler und Stecher des 17. und 18. Jahrhunderts (Marburg an der Lahn, Basilisken-Presse, 1998, pp. 201, 330-331).
66 watercolors on 33 bound pages as ''Herbal, manuscript on vellum, North Italy, c. 1600.'' Aquilegia reproduced on p. 104 of Wilfrid Blunt and Sandra Raphael, The illustrated herbal. London, 1979.
Copy made from Pl. 269 Dracontium in Trew and Eisenberger's Herbarium Blackwellianum (Norimbergae, 1750-1773 [plate issued 1752-1754])-the expanded version of Elizabeth Blackwell's Curious Herbal (London, 1737). Some details missing. Handwritten German text on reverse is an abbreviated version that was copied from nos. 1-3 of the German text that appears as description for tab. 269 [text pp. issued 1755-1757] in volume 3 of HI copy.
